God Be With You Till We Meet Again Steven Sharp Nelson Paul Cardall Sheet Music

Faith Filled Family unit Mag June 2018 Outcome

past Vernita Simmons

When you mind to the musical selections on Worth of Souls, y'all know this is not just another gimmicky Christian anthology. is is a option of chosen psalms to stir your heart and encourage your soul. " is album is a tool—a med- ication—to help people feel something hopeful," Cardall states. And without a doubt, this project is that then much more. World-renowned pianist, com- poser, and producer, Paul Cardall have done an exceptional job in presenting an album that will certain to prove how music can help others overcome hardships and recognize y'all are of substantial worth.

His roles every bit an award-winning lm composer, musician, and producer, have institute him collab-orating with such stellar artists every bit CeCe Winans, Audrey Assad, The Piano Guys Ellee Duke, Kenz Hall, and more. He spans many genres including Classical Crossover, Gimmicky Chris-tian, and New Age, and in doing so has garnered 3 #1 albums on the Billboard charts.

The star-studded project has already hitting #6 on the Amazon charts and on iTunes has striking the Top ten out of 150 new releases. Now with more than than 2 BILLION lifetime digital streams, he cur-rently averages over 25 million streams monthly. Released on Apr 27 of this year and Co-pro-duced by Trevor Cost which is being released on Cardall's Stone Affections Music label, Worth of Souls, is sure to reveal to lis-teners that they have a huge value—that they have worth. Please requite a heartfelt welcome to Paul Cardall.

Among Paul Cardall many ac- complishments, you lot are besides a speaker and philanthropist. You lot are originally from Salt Lake Metropolis, Utah. Tell us more about who y'all are.

Born and raised in Salt Lake. My ancestors came from England, Denmark, and Kingdom of the netherlands. My parents recently celebrated their 50th wedding anniversary and so I'1000 one of the fortunate ones to have been raised in a very supportive and loving home. I have 8 siblings who are all mar-ried with children. Because I was born with a complex built eye defect, doctors told my parents I wouldn't survive.

Fortunately, a surgeon opened my infant chest and corrected some of the deformed middle. I had numerous surgeries grow-ing up and was drawn to music over sports.

During college, I established a music career signing with Vir-gin Records and later going in-dependent. My congenital heart disease and my talent led me speaking past invitation to hun-dreds, if non thousands of med-ical related events likewise as church testimonies.

My career was put on hold when I was listed for a centre trans-plant. I waited 385 days. During that time friends did a fundrais-er for our family and later I sur-vived, received numerous invi-tations to share my story in all kinds of venues; from Nursing medical conferences, American Heart Association conferences, to Youth conferences and much more. I observed a lot of heart patients forgo college considering medical bills take the identify of tuition. So, nosotros created an en-dowment at Table salt Lake Commu-nity College (SLCC) and offer total tuition waiver scholarships to students afflicted by congen-ital heart disease. It'due south been a joy to see these students go along on with their education after the scholarship expires. We chose SLCC because it's more than afford-able than the Universities.

Please share your journey in becoming a music composer and producer?

Every bit mentioned in a higher place, I was drawn to music from an early age. All of my paper-route mon-ey went to ownership records and cassettes. I spent hours at the tape shop sampling. Piano music became popular in the 80s and 90s and I was drawn to the style of George Winston, Yanni, and Enya. I liked how popular and classical music were com-bined to brand a catchy tune. I sat at the piano and tried mim-icking, discovering I could create my own music.

The pianoforte was a puzzle and ev-ery day equally a teenager I spent hours putting the pieces to-gether without any formal train-ing. A friend mine passed away presently earlier graduation and I was led to the piano. I wrote my rst song. At that moment God put on my heart that all was well. I shared the music with my friends' parents and their friends. It was similar a calling, God leading me to create music, to aid alle-viate suffering and pain. My mu-sic is a tool or a resource to aid people admission God'south love. Music doesn't heal us. God heals the states. I'm trying to assist people go far the right frame of mind with the music so their thoughts turn to Him.

You say this album will be a "prescription for people who are struggling with low or a feeling of existence lost." Tell u.s.a. more nearly the purpose of Worth Of Souls? Why do you lot take such a deep concern for those are suffering from low?

Depression is growing problem in our society. Suicide continues to plague united states of america. I've lost a scattering of friends and, ironically, the center beating in my chest after the transplant came from a boyfriend who signed up to be an organ donor and so took his life. Families are so deeply affected when there is sadness, grief, de-pression, and when those they dear give upwards. Music has clinical-ly been proven to change our mood, our thoughts, and thus how we deport. Each song on Worth of Souls was handpicked because the lyrics and the music counter negative feelings and restore con dence by anchoring our hope in Jesus, for He is Wor-thy of it all, and He wants to heal u.s..

The project features per- formances past an assortment of honour-winning artists such as Kenz Hall, Jordan Moyes, Ashley Hess, Ellee Knuckles, Charley Jenkins, Sierra Lauren, Jor- dan Moyes, Jim Daneker, Trev- or Toll, Ashley Hess, Justin Williams and Emily Bea. What was it like working on this al- bum with such artists?. When choosing artists for such an incredible project what exact- ly do you expect for?

This was an altruistic project. Each of these artists is unique. They are pop, country, and sing-er/songwriters. Most of them accept never written Christian mu-sic although they are Christian. So, it was a beautiful challenge for some of them similar Ellee Knuckles who was recruited to be on Amer-ican Idol and turned it down be-cause she was writing in Nash-ville and already touring with LeAnn Rimes. Her tune, "Elevator Me Out" is a hit song. Wow! The lyric she gave us describes the battle we all go through... "The war in my mind that I couldn't nd my fashion out of and you were stand up-ing in that location with all of Your dear." It'southward beautiful... Kenz Hall and Justin Williams were on Ameri-can Idol and did very well on the prove. Charley Jenkins worked in Nashville on Music Row equally a country artist and writer earlier leaving to carve out his niche playing rodeos, fairs, festivals, opening for everyone from Tay-lor Swift to Jason Aldean. Emily Bera, Ashley Hess, Jordan Moy-es, and Sierra Lauren are great vocaliser/songwriters and take such a love of the Lord that it was a no-brainer to inquire them to be part of the project. Not one of the artists e'er questioned the pur-pose—-everyone was on board throughtheproductionprocess, excited, anxious to share God's honey through music. Trevor Price produced the project with me and performs on the album. Jim Daneker is Michael W. Smith's musical director, who non only is producing my personal Christ-mas album for this year, but he contributed a beautiful piano piece called "The Homecoming." Everyone was infrequent, and each had a powerful experience with God doing this project.

This album project features 13 handpicked contemporary Christian songs, to convey a heartfelt message to each listener. Among such songs are How Can It Exist, Oceans, Come As You Are, and the ti- tle track, Worth Of Souls. Why did yous cull these partic- ular songs? Who do you feelwould bene t the most fromhearing the bulletin in these songs?

Half of the album are original songs. I wrote "Lay It Down" and "Worth of Souls." Jordan Moyes wrote "O Glorious Day." Ellee Knuckles wrote, "Elevator Me Out." Emily Bea wrote "Push & Pull." We also wanted some songs that accept already proven powerfully effec-tive at helping people feel God's honey. "How Can It Exist," "Come As You Are", "Redeemed", "Tears of The Saints", and "Oceans" are beloved worldwide. Our version of "Oceans" feels like an original tune considering information technology's fully orchestrat-ed with a gentle acoustic guitar and the voice of Jordan Moyes, whose music feels and sounds similar John Mayer (if Mayer sang for God). The lyrics are the main reason we chose these songs. When we heed to music, the messagesinksintooursub-con-science. Lyrics that preach and teach the word of God changes us and makes u.s.a. better people.

In 1999, yous founded Stone Angel Music: a label provid- ing services in creative person devel- opment, merchandising, and recording. And you take ix signed artists and has re- leased over 50 instrumental and compilation albums. At present, that'south impressive. Tell u.s. more almost your record label? What practice your genres include?

Rock Affections Music began in 1999 when I decided to leave Virgin Records and become indepen-dent. The problem was that there is this genre of music called "New Historic period" and the new agers sort of hello-jacked that genre and it became associated with their class of spirituality. I'm a Chris-tian. I dear Jesus. The heart of my music and all I practise is God. The artists who we would sign to the label were artists who per-formed with me on stage or I was familiar with their values. Steven Sharp Nelson, a cellist, was per-forming with me and a handful of other Christians from the Rocky Mountain region. Nosotros released a cello album, Sacred Cello, fea-turing some hymns and originals and he never thought information technology would sell. Not only did the album de-but on the Classical Billboard chart above Yo-Yo Ma, but Steve has gone on to create "The Pia-no Guys" who perform arenas all over the world and accept music videos seen by hundreds of mil-lions. Overall, our goal at Stone Angel Music is to create albums, which are resource for people to apply to create an atmosphere where the fruits of the spirit are felt.

If at that place is one takeaway from this album what exercise you hope it would exist? Can you share a testimonial of how listeners accept been impacted by it?

I heard a sermon at Nashville Life past Alvin Love, the son of Grammy-winning Gospel art-ist CeCe Winans. He asked a great question. He said, "May-be the reason people don't seek the kingdom, or the reason they don't seek God, is considering they don't experience valued." He said, "Do we know how valuable nosotros are to God?" We want people to lis-ten and know they are, as Jesus said, "Pearls of not bad price...."

We hope music leads them to a restoration, a new life, renewed promise and con dence in trusting God. People are being afflicted by this message and our artists specially are afflicted. Ellee Duke is open nearly how she was doubting her religion and tempted to abandon the church. Her uncle committed suicide incidentally during this process. Ellee gave the word, "Lift Me Out" which I

believe should be sung in ev-ery identify that does ballsy worship anthems. It'due south that good. Justin Williams, from American Idol, a recovering addict, was given the song "Redeemed." The testimo-ny he gives in the music video we created for him says it all. People can watch that on our website after April 27th. I've been changed, strengthened, and re-committed to Jesus through this procedure. We want to make Him famous because He is Worthy. ix. Y'all have many projects in play. What'due south next on the hori-zon for you?

I'm wrapping up a Christmas album that'll be released subsequently this year. Jim Daneker, musical director for Michael Due west. Smith, is producing the anthology. It'south like Mannheim Steamroller meets Ludovico Eunaldi. I'm so bless-ed because the beloved Chris-tian artists Audrey Assad volition be featured on the anthology along with the fable CeCe Winans. The Christmas album will be a cele-bration of God'due south souvenir.

Paul Cardall, what more would you like to share with our readers? How tin can we purchase this beautiful anthology; "Worth Of Souls?" Can y'all please give us your social media contact (as alive links for the mag)?

We not only have the album on our website, but we accept re-sources on depression and a suicide prevention line. We take articles that aid educate on this subject field. We link to powerful ser-mons that teach us our value to God and to one another. So, we encourage people to visit www. worthofsoulsproject.com and learn more.

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Paul Cardall, I am very grate- ful for your candor. Information technology'south been an honor speaking to you. It is won- derful to share our faith and give God celebrity for such an inspiring album. If you are looking for an anthology that speaks of how valu- able you are, ballast your hope in God and bring you into His presence, expect no farther. Worth Of Souls has this and so much more. Within these incredible songs, you'll come across you are God'southward Precious Treasure and is worth more all the gilt in Fort Knox. And a Big Shout Out to Alison Auerbach for facilitating this wonderful interview. I could not have completed it without your assistance. You are a Jewel.

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Source: https://paulcardall.com/blogs/press/posts/worth-of-souls-interview-with-paul-cardall

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